"I found that the explosion of the EDM movement and what those guys bring to their shows kind of pushed me the other way." he says. When NIN rise from the dead, plug-in-and-play just won't do.
#Lazarus echo reznor how to
He did so to concentrate on composing the soundtrack for The Social Network and to start a family – not to mention a band called How to Destroy Angels – with his new wife Mariqueen Maandig.Īnd if the comeback alone doesn't ramp up expectations, consider that his 2008 Lights In The Sky tour was a technological marvel featuring an LED curtain across the front of the stage that framed the band in ruined cityscapes or shifting stockades of static, like Pink Floyd's wall plugged into The Matrix. These will be the first NIN shows since Reznor broke up the band following the Wave Goodbye tour of 2009. Reznor's reformed incarnation of NIN has spent weeks underneath the LA Sports Arena piecing together two live shows: one for an arena tour starting in the US in September and one for the festival circuit. The despair and loneliness and rage and isolation and the not-fitting-in aspect that still is in me, but I can express that in a way that feels more appropriate to who I am now. This record was written as the other side of that journey. I've learned to recognise, a lot of it forced through the process of recovery, that I'm wired wrong in certain ways, the chemical balance of my brain is off in terms of depression a little bit. "And I'm happy that I don't feel that way any more. but after a while it didn't sustain itself, and other things took over – drugs and alcohol." I thought I could get through by putting everything into my music, standing in front of an audience and screaming emotions at them from my guts. "Downward Spiral felt like I had an unending bottomless pit of rage and self-loathing inside me and I had to somehow challenge something or I'd explode. "I was thinking a lot about The Downward Spiral album era, and the person I was at that time," he says, awkward, verbose but reasonably zen at 48, still clad in shredded black threads but a far more affable prospect than his intense and difficult reputation suggests. And he's about to release NIN' minimal and reflective eighth album Hesitation Marks – the band's first since 2008's The Slip – which casts him as the classic scarred rock casualty snatched from the abyss by fatherhood and family. He's the first person director David Fincher calls when he wants an Oscar-winning soundtrack (Reznor provided the score to The Social Network among other films) and Queens of the Stone Age main man Josh Homme rings when he needs to know how to bounce back from a near-death experience. He's the guy who discovered, nurtured and dismissed Marilyn Manson who recorded a noir-rock benchmark – 1994's 5m‑shifting The Downward Spiral – in the house where Sharon Tate was murdered and who survived a heroin overdose in 2000 in the grip of one of rock's most pre-ordained self-destructions.īut today, having spent the last decade as a technological dambuster and champion of the new cyber-DIY generation, he is a respected and solemn elder statesman of the crueller end of alternative culture. Reznor, after all, is not one for a quiet life. As the band who have spent the last two decades forcing brutal – yet seditiously melodic – electronic hardcore and bleak ambient rock down the gullet of the mainstream, the chaos around them seems apt. For weeks it's been the secretive subterranean base for Reznor, the 30m-selling industrial rock icon behind Nine Inch Nails. The cavernous lair beneath the arena is on lockdown too.
0 kommentar(er)
